(via androphilia)
҉̵̞̟̠̖̗ ̘̙̜ ̝ ̞̟̠͇̊̋̌̍̎̏̐̑̒̓̔ ̊̋̌̍̎̏̐̑̒̓̔̿̿̿̕ ̚̕̚͡ ͡҉ ҉̔̕̚̕̚L҉̵̞̟̠̖̗̘̙̜̝̞̟̠͇̊̋̌̍̎̏̐̑̒̓̔̊̋̌̍̎̏̐̑̒̓̔̿̿̿̕̚̕ ̚͡ ̒̓̔̕̚҉ ~ L҉̵̞̟̠̖̗̘̙̜̝̞̟̠͇̊̋̌̍̎̏҉̵̞̟̠̖̗ ̘̙̜ ̝ ̞̟̠͇̊̋̌̍̎̏̐̑̒̓̔ ̊̋̌̍̎̏̐̑̒̓̔̿̿̿̕ ̚̕̚͡ ͡҉ ҉̔̕̚…
This is a new work by Hayley Morgenstern that was uploaded during her current online residency at zillaboston.com which will be happening over the next two weeks. More work from Morgenstern to come soon.
wiki-list by Nash Bryant translated by Arthur Rambo into an picture map using images from the original searches
(via whatfuture)
“My figures don’t have any kind of facial features that would make you identify them racially. Scramble for Africa is based on a conference that was held in Berlin in 1884 to 1885. The European countries came together to divide up Africa—to decide who would have which trading area. And so I re-imagined it with these brainless men sitting around the table, literally brainless.”
—Yinka Shonibare MBEIMAGES: Yinka Shonibare MBE, Scramble for Africa, 2003. Installation view at the Museum of Contemporary Art, Sydney, Australia, 2008. Production stills from the Art in the Twenty-First Century Season 5 episode, Transformation, 2009.
(via sister-bell)